In this ethereal and modern version of a free love film from the 1960s, we find a moody biologist and his graduate assistants trying to develop a summer project in the wild nature of the Appalachian forest. There, they encounter three mysterious figures who will change their lives.
The starry sky owes its charming aspect to the work of a dedicated owl who spends his nights cleaning and grooming these celestial beings. In the middle of this hustle and bustle, he accidentally drops a star. It is found by children, on Earth, who become attached to it.
Queralt, the mother, and Gemma, the daughter, paint in their respective spaces. One in Barcelona, the other in Athens, the distance between them is more than just geographical. Queralt’s calls are the conduit through the 20 minutes of quotidian moments.
Jason and Kevin are two friends with a relationship in dire straits. Jason wants to go parrot hunting in order to sell the birds and buy a bicycle. Kevin wants him to shut up. The search for the birds ends up triggering a confrontation, where tenderness and violence mix.
Emílio only has one ram left. After a first failed attempt to sell it, he is forced to go on a trip, through the rural landscape, to secure the sale of his animal.
A satire of the global pandemic that we still live in. This film begins with a sex tape that goes awry. At stake is the life and career of Emi, a teacher who is forced by her students’ parents to resign. However, Emi refuses. Recommended for those who enjoy transgressive cinematic experiences – in the best sense.
A documentary that explores all facets of the flower as a concept, reflecting on its beauty, its history and its commodification. From experiments to achieve a specific color to an auction, the semiotic world of the flower is encompassed in the chapters of this visual essay.
Sam works in a kennel in Ostend, where canine therapist Koen teaches owners how to take care of their four-legged friends. Sam and Eva, the owner of a restless dog, get close as a friendship, and perhaps a new safe haven for both, develops.
A common family nucleus, but with a lunar aspect: a domineering father, a distant mother, a teenage daughter unsure of her boyfriend, and the smallest one, perhaps in an identity limbo. Each of them overflowing with their own frustrations and desires.
Faruk has the responsibility of delivering parcels as his first job in Germany. Today, his eight-year-old daughter, Kati, hides in his van to spend the day, and time, with him. But a moment of cloaked racism tests their relationship.
At first nothing seems to load Anna with worries or weights during a short trip, in the company of her dog. But the environment begins to change when entering the supermarket. While viewing the shelves, the displays, she does mental calculations. Until the call.
A synesthetic experience that, between the story of a couple who broke up and a phone call to Fedex asking if they would transport people, meditates on what are the best methods of getting closer to those you love.
The oil industry in Iran, established in 1908, linked the formation of media infrastructure and colonial modernity in the country. This film investigates how companies that exploited this resource used films and ethnographic photographs to represent developments in Iran.
Diana Lin (Lu Jian in The Farewell by Lulu Wang) is the protagonist of a dinner that is, at the same time, an unpleasant business meeting and an awkward family reunion. The latter is between the daughter who went to live in America and her father, mother (Lin) and brother.
Experimental film where the only architecture that matters is the architecture of dreams. Epcar films the exteriors of houses, people and objects in a mesmerizing way, inviting the audience to a journey guided by music either disturbing or sublime.
The repository for the myths and memories of a village on the Atlantic coast. The stories appear as if the oral tradition were the only narrative that remains, bringing to the present ancient and almost lost traditions.
After a painful nose operation, Gabriela spends a sweltering summer vacation with her parents in a house in the country. Still in convalescence, she enjoys the attention and pampering that surrounds her — until the arrival of her parents French friends.
A documentary in the first-person – composed of narration and archival footage – that focuses on the celebration of past birthdays as the narrator, now grown, wonders who she was and who she is.