Keyholes Are for Peeping

Doris Wishman

IndieLisboa 2022 • Retrospective

USA, Fiction, 1972, 70′

A film that presents itself as a comic attempt to satirise the adult film industry, which features Sammy Petrillo, a comedian and Jerry Lewis impersonator from the 50s, then in decline.

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Films in the same section

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Bad Girls Go to Hell
The first roughie by Doris Wishman, with sexuality as a central subject, is a rape and revenge film, a subgenre of exploitation cinema. In this film, Gigi Darlene is Meg,
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Deadly Weapons
The first of two films by Doris Wishman with burlesque performer Chesty Morgan as Crystal, a woman who uses unusual methods to exact revenge on the mobsters who killed her
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Diary of a Nudist
In one of the director's first nudie cuties, the nudist colony is the right starting point to explore the possibility of showing many people naked on screen. It is the
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Another Day, Another Man
Nothing is more auspicious for a young couple than a pay rise. When they move into a larger apartment, however, the husband is rendered disabled and unable to work. The
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Nude on the Moon
Doris Wishman goes where no woman has gone before and transports sexploitation to the surface of the Moon in a sensual science fiction film, as if Star Trek had arrived
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Double Agent 73
Doris Wishman is back with Chesty Morgan. In this movie, Chesty is Jane, a secret agent with a particular method: hiding a mini-camera in her cleavage. But the tech is
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Indecent Desires
A sexploitation film with a hint of the supernatural. Zeb has an unhealthy attachment to Ann, and when he discovers artefacts with voodoo powers that allow him to control the
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Let Me Die a Woman
Leaving the model of roughies and nudie cuties, Doris Wishman directs a documentary (with situational dramatisations) that focuses on the lives of transgender people, speaking to folks like Deborah Hartin,