Based on a pornographic book from the 1980s, Super Taboo brings frozen tableaux of a forest orgy to life.
Secção: Silvestre
A group of medieval knights looks for an ancient tomb to perform an exorcism: T.R.A.P is a neo-romantic story against stereotypes.
The Fall of Lenin is inspired by laws adopted in 2015 by the Parliament of Ukraine, which ban the use of the communist symbols.
Keith, a small-time drug dealer, is under house arrest. He re-enters a community scarred by unemployment, neglect and deeply entrenched segregation. There, he pushes back against his surrounding limitations as he tries to find a way out of his own internal prison.
Personal Truth asks: what can pizzagate story teach us about knowledge, belief and the stories we choose to put our faith in?
This foray into a strictly male world begins by observing the many games that men play. From wrestling to rolling a cheese through the village’s streets or the rapid-fire reciting of the right numbers, this is about the beauty of the game and what it represents as a sharing experience.
Readers shows, in medium close-up and in four uninterrupted shots, three women and one man reading a book of their choice, followed by a brief quotation from the book being read. It’s simple, yet it’s one of the most powerful movie experiences.
Watch Joan paint beautiful snowy mountains and debate extraterrestrial sexuality with herself!
In Les sept déserteurs, we have the most cheerful and luminous war film ever. Far from the battlefield, it is in a peaceful forest that four men and three women meet. And from this encounter comes a poetic reflection on peace.
Living in the Past reanimates stereoscopic images of Melbourne from the 1920s.
A trip towards abstraction, as an hypothesis on how mountains might have been formed from pixels: Orogenesis.
Jodilerks, a gas station attendant, is on her last day of duty: a story of rebellion and female empowerment.
An unusual reinterpretation of Kafka’s eponymous short story where loneliness is assuaged, even if only for moments.
Fluid Frontiers is the fifth and final film in an ongoing series of films exploring Ephraim Asili’s personal relationship to the African Diaspora.
Based on documents found in Berlin archives, Four Parts of a Folding Screen explores exclusion, statelessness and the legalised theft and sale of everyday family possessions by the National Socialist regime.
Grass is a sweet farce that takes place in a cafe in Seoul: couples are brought together and taken apart through the protagonist’s gaze – played by the director’s muse, Kim Min-hee – who, sitting in the corner, watches everything that is happening.
In the Siberian forest, away from any civilization, a feud is opposing two families whose houses are separated by a river: Braguino.
3 Peonies: a brief, poetic 16mm film on a simple sculptural action.