A staged crime in a staged trial: O Caso J.
Secção: National Competition
In O Turno da Noite, a hotelkeeper dreams of luxury.
Haunted by the phantom of the Holocaust, Sérgio Tréfaut follows the railway tracks that unite Poland, Russia and Ukraine. As the journey progresses, the post-war slogan “Never Again” will sound more like a fairy tale.
Viktoria is a paralympic athlete who starts walking again.
The Portuguese colonial past is actualized through performance in Transmission from the Liberated Zones.
The Hunckback pictures an emotional reintegration program.
Friendship is the weakest link when you are defenseless in Sem Armas.
A hotel filled with childhood memories in Rocks and Minerals.
A woman who types subtitles feels affected by the film that she is working on. Its story is set in a quagmire and in it the characters wander endlessly. The doubt about who is creating what arises as the film moves on.
Memories of a trip to South America in The South.
An essayistic reflexion on mirrors, representation, theatre and the life that flows between them. This is the first feature film by Pedro Filipe Marques after the highly praised A Nossa Forma de Vida.
Leopoldina stopped by the Azores when visiting D. Pedro IV, in O Desvio de Metternich.
A lying husband and a perfect wife in Young Lady.
After a car accident a man enters a Macabre house.
Long and fixed balck and white shots make Live Tropical Fish.
A boy lives alone, at night, in an abandoned mall in Heroísmo.
Between fiction and documentary, Barahona adapts the homonymous book by the writer Luiz Ruffato about Brazilian emigration to Lisbon. One of these emigrants is Sérgio, a man hoping for a better life across the Atlantic.
It Would Piss Me Off To Die So Yoooooung…depicts the trenches drenched in toxic gases.