We make up stories with what we see through the windows in New Life.
We make up stories with what we see through the windows in New Life.
The beating of a baby’s heart as a clock, in Momentum.
Our Fields is a raging letter to a young man turned terrorist in Syria.
Non-Contractual deals with the fake companies for the unemployed in France
Missing One Player brings us back to vintage video game aesthetics.
Anita Rocha da Silveira’s first feature film starts as a slasher filmed in Bairro da Tijuca, Rio de Janeiro, and ends as a coming of age of a 15 year old, Bia. After her neighborhood is haunted by a strange killer she must try to stay alive.
The mountain saves memories in Fossil Lights.
Love depicts the effects of tenderness in a distant galaxy.
Les monts s’embrasent deals with a radiating rock and its miners.
Social network violence is embodied in The Park.
A child disappears in The Chasm, fear does the rest.
In Lilas’ House the director wanted to “to think, shoot and edit as in a dream”.
Colombia’s recent history is told in Impression of a War through pictoric signs.
The sand of a golf court is the place of romance in The Girl from the Bunker.
A man shot an endangered animal and that the beginning of his end in Homer, A Hunter’s Fate.
Juliet’s Band shows how some friendships end so others may flourish.
Christine Chubbuck committed suicide on live TV in the seventies. Now the actress Kate Lyn Sheil is about to play her in a dramatization portraying the events. It’s time for Greene to follow her and discover more about what happened.
The producer of Afterschool (Antonio Campos) directs his first feature film. James White is about the growing struggle of a young new yorker who has to leave behind a self-destructive behavior and help his needing mother.