Sur la route gives us a different look in the city of Calais.
Sur la route gives us a different look in the city of Calais.
A portrait of a teenage couple who lives in the streets of Manila. Surviving as pickpockets, their lives change when they become parents. But their child is stolen and in order to retrieve her the young couple is forced to take desperate measures.
A young girl decides to have some sweet solo pleasure, in Cipka.
A jewish boy in nazy Germnay turns into Der wohlwollende Diktator (A Benevolent Dictator).
Inés decides to complete a book she is working on before she gives birth to her first child. This photography project always brings her back to the same place: the family home in southern Argentina that shaped her youth and forged her character.
A child and her mother are visited by her former partner in the dead of night, La culpa, probablemente.
In O Turno da Noite, a hotelkeeper dreams of luxury.
Argentinian Exe has lost his job. Online, he meets Alf, a boy from Mozambique who is also bored with his job and who is about to follow Archie. In the jungle Archie comes across with Canh, a Filipino boy who also has a miserable job in his home town.
A child helps a depressive man, in Le film de l’été.
A couple breaks up in Silencio.
Woman without Mandolin is an homage to an actress and cubist painting.
The story of an enraged elephant, in Le fol espoir.
A father and son await death, in Budéjimas.
Between ancient fables and the refugee crisis: We all love the seashore.
A queer musical about broken hearts, in A ton âge le chagrin c’est vite passé.
Viktoria is a paralympic athlete who starts walking again.
An underaged Roma girl may lose her child due to a bureaucracy, in Scris/Nescris.
Doping in sports is the subject of Velodrool.