«[…] craving for narrative» is an hypnotic 23 second loop of Grease (1978).
«[…] craving for narrative» is an hypnotic 23 second loop of Grease (1978).
A violent ritual in Japan is depicted in Uzu.
The mountains dance in Tindaya.
A funeral has never been so touching as in Thunder Road.
The Send-Off: at prom all dreams of luxury seem to come true.
The Reflection of Power imagines a catastrophe in Pyongyang.
The director does what she wants with her vagina in Solitary Acts #4.
Under the Sun deals with the tensions between social classes in today China.
Two groups of losers are bored to death, doing jack shit in Retarded 2.
The nordic humor makes us laugh nervously with Small Talk.
Rate me portrays an escort through her clients online comments.
Nostalgia and the peacefulness of the country fill The Lasting Persimmon.
Mike is 30 and not particularly skilled for anything. When offered a better job in a bigger city, Philadelphia, he decides to go. Aimless as always, Mike is the perfect anti-hero for this mumblecore journey shot in grainy 35 mm.
Ozu’s classic Tokyo Story turns into a “Shanghai Story” in this 4h40 film, by the Chinese Australian based director, Shumin Liu. An old couple decides to visit their adult children that the hardships of life sent away.
Moving Elements is an ode to the classic animations from the URSS.
Ruben Leaves depicts the pathological fear of leaving our home unattended.
Olivia is a Chekovian actress in a theatre company but is about to play a different part: she is pregnant and becoming a mother in 9 months. Petra and Lea follow her and her companion in this other beautiful “play”.
Oustaz is an homage to a departed friend.