This collection gathers documentation related to Sarah Maldoror’s life and career that can be found at the Mário Soares and Maria Barroso Foundation. In this collection, you can explore documents and images on her cinematographic work (e.g. Des fusils pour Banta; A Bissau, le Carnaval; Sambizanga; Le Masque des Mots), or even discover, through notes, postcards and manuscripts, her collaboration with Mário Pinto de Andrade. The themes of négritude, identities, liberation movements, colonialism and the colonial war are also explored in the Foundation’s archives.
