By subjecting fragments from the Akira Kurosawa’s film Rashomon to a mirror effect, Provost creates a hallucinatory scene of woman’s reverse chrysalis into an imploding butterfly. This physical audiovisual experience produces skewed reflections upon Love, its lyrical monstrosities, and a wounded act of disappearance.
Papillon d’Amour
Nicolas Provost
IndieLisboa 2004 • Independent Hero
Belgium, Experimental, 2003, 4′