The story of my meeting with an illegal immigrant and perhaps more…
The story of my meeting with an illegal immigrant and perhaps more…
Nadine is obsessed by a memory linked to a haunting tune she can no longer sing — until she hears someone else singing and everything falls back into place again. A melancholy observation of two young couples having difficulties trusting one another. They are full of skepticism and searching for a purpose in life.
A woman and a man offer themselves to each other, piece by piece.
A young man without money, but with a lot of thoughts in his head about himself and the world meets other people, listens to music, reads – nothing really happens.
On his parents’ farm, Martin, aged 11, watches helplessly as his family falls apart. His mother, cut off from the world around her, lives locked away in her room. The older brother he worships drowns his sorrows in alcohol, and his father, under the grandmother’s thumb, is a powerless spectator of his family’s decline. Martin gets ready to put an end to the chaos around him…
A game of marbles leads to a fantastic and fascinating journey.
An inventive black & white fairy tale about the power of the human voice, located in a metropolis, ruled by the mercilessly bad Mr. TV. The whole city is without a voice and he has monopolized word and image. People watch TV and eat the TV meals produced by Mr. TV. Mr. TV is working on a sinister plan with a hypnotic machine that operates through the TV to ensure that all life will be subjected to him forever. To achieve this, he kidnaps the only one who still has The Voice – a stunningly beautiful singer…
An ode to joy amidst poverty, Squatterpunk is the pre-Spanish Philippine part of Khavn’s Black Silence Trilogy (2. Ultimo, 3. The Longest Moment You’re Not Here). Set in the slums of Manila, we follow the lives of the youth as they scavenge the garbage beach for a living while still managing to play around.
Documentary of an early Chris Cutler’s solo concert in Tokyo in June 1998. Chris Cutler is an English percussionist, composer, lyricist and music theorist. The first part of the film is equipment set-up and sound-checks, plus interviews with Cutler, while the second part is the improvised concert itself.
In the summer of 1962, the Mansfield, Ohio Police Department photographed men having sex in a public restroom under the main square of the city. The cameraman hid in a closet filmed over a two week period, and the resulting movie was used to obtain the conviction of over 30 men on charges of sodomy. W.E. Jones reedits this footage in Mansfield 1962, a haunting, silent condensation of the original.
A group of people talk about Martinis, wives, Rolex and other things in life.
Júlio is in Prague for his video exhibition and to meet Kitty, who is not able to arrive on time. Kitty is the soundtrack while Júlio is a mute character. Their dismissing makes this an unsynchronized movie. Those characters lead us, separately but simultaneous, by the sound and image of Prague. Only their meeting can bring back the synchronism.
A meditation of love and longing, this film is set in the beautiful landscape of Hokkaido, Japan. A young boy, whimsically dressed in a monkey suit, searches for lost love. Pensive, lyrical and spare, this film embodies the characteristics of a Japanese haiku.
An attempt to reconstruct the events of 9/11 by highlighting the parallels between the fictive worlds and the images of the real events. This paradoxical déjà vu presents a great challenge to our realism. If documentary images are graphic testimony of real events, then footage of 9/11 is evidence of the realization of the existing fiction.
A boat did disappear ten years ago, but since no trace was ever found of a ship-wreck or bodies, the three members of one family keep hoping that the missing man will return. Every night, as a sign, the Mother lights a candle in the window.
Knittelfeld is a small Austrian Town and looks exactly like it. Contrary to other Austrian small towns Knittelfeld had to face a challenge. In 1977 the family Pritz moved into Knittelfeld and confronted the town with an unusual degree of suffering, crime and manslaughter.
An invitation to dinner has never been so deadly: a gruesome tale.
Smadar and Mirit, both 18 years old, are assigned to patrol the streets of Jerusalem together, as part of their military service. They are assigned to detain any Palestinian passersby, check their papers, and register their details in special forms. However, the two young girls are immersed in the tidbits of their own lives ‚ their romantic crushes, their breakups, and the multifaceted relationship evolving between the two of them. Until one day, Jerusalem’s political reality is forced upon them.