A young girl’s “sweet sixteenth” birthday becomes anything but special as she suffers from every embarrassment possible.)
Archives: Filmes
Sarina Hei tells a surrealist tale of a universe divided by people with and without hats. )
The transfigured faces hidden in an ambulance will eventually escape to haunt the sky and our dreams.)
“Stalingrad Lovers” is the first fiction film by Fleur Albert — still, a dramatic story inspired by the lost lives of drug users and drug dealers in the Parisian neighbourhood of Stalingrad.)
Sunny Afternoon is the confrontation of “kind of” an avant-garde film with “kind of” music video, asking questions about the conventions, standard taboos and cliché of different types and genres of film. Music and sound were tailored to characterize typical cliché of different genres as well.)
“Swallows” is about living in a country and a house that is not our own — in this case, a young Portuguese graphic designer in London.)
“Take What You Can Carry” is the latest film from Matthew Porterfield (“I Used to Be Darker, IndieLisboa 2013), with Hannah Gross and German filmmaker Angela Schanelec.)
“The Death and Resurrection Show” is a look into the indescribable life of an indescribable band: Killing Joke. Somewhere between mysticism, industrial post-punk, or evil worshippers – nothing’s good enough to describe its uncanny universe.)
Story of two female Manhattan book editors fresh out of college, both finding love and themselves while frequenting the local disco.)
“The Mad Half Hour” brings us the existencial doubts of a young couple in the streets of Buenos Aires.)
“The Last Analog Tree” plays on the perspective of those who film and those who are filmed. )
Peter Strickland’s new film echoes Losey and Buñuel’s universe to tell the strange and passionate story of an amateur butterfly and moth researcher and her part-maid, full-time sex-slave.)
“The possibilities are endless”: those were the first words Edwyn Collins (Orange Juice) spoke after waking up from a brain hemorrhage. Edward Lovelace and James Hall’s film follows a zone where past and present become one in order to fight for a new future. )
Friendship bears no age or height differences – not even between a small and big girafe.)
An essay by Mark Rappaport on Douglas Sirk’s actresses and the role of mirrors in his films.)
Theory of Obscurity tells the story of the renegade sound and video collective known as The Residents. A story that spans 40 years and is clouded in mystery. Many details surrounding the group are secret, including the identities of its members. Our film takes viewers inside this incredibly private group with unprecedented access to their archives and their recent 40th anniversary tour. The Residents have released more than 60 albums, performed all over the world and inspired many people to be weird, take chances and find their own voice. Now, our film will introduce The Residents to a whole new generation.)
“This is cosmos” follows the ideas of Russian philosopher Nikolai Fedorov. )
Physician Eugene Wigner is the inspiration for “This Particular Nowhere” and its experimental walk towards darkness.)