Memories of a trip to South America in The South.
Memories of a trip to South America in The South.
An essayistic reflexion on mirrors, representation, theatre and the life that flows between them. This is the first feature film by Pedro Filipe Marques after the highly praised A Nossa Forma de Vida.
Leopoldina stopped by the Azores when visiting D. Pedro IV, in O Desvio de Metternich.
The death of Manoel de Oliveira left a big void in Portuguese cinema. João Botelho, his pupil, pays homage to his master, in a film about his unique method for directing films. A style that shaped world cinema and anticipated the future.
O cinema que vê is an essay about cinema as an extension of the eye.
A meeting between two friends: the cinematographer Caroline Champetier shoots a documentary about cinematographer Bruno Nuytten, making a film about his gesture and the relation between film art and craftwork.
We make up stories with what we see through the windows in New Life.
Winter is coming.
Non-time explores the moments we stay in Marc Augé’s “non-places”.
Inmates gave a concert broadcasted outside for the audience.
The beating of a baby’s heart as a clock, in Momentum.
Our Fields is a raging letter to a young man turned terrorist in Syria.
The two friends in Moonlight Lover are going to change their life today.
Non-Contractual deals with the fake companies for the unemployed in France
In a large house from the Tunisian bourgeoisie it occurs a drama, in Turbulence.
A building pierces through time in Hiroshima.
Barbara Kopple directs this documentary about Sharon Jones, the lead singer of The Dap Kings. Jones is presently fighting against a pancreatic cancer while trying to enjoy a singing career that eluded her for 50 years.
Niets bijzonders was mainly improvised in the manner of nouvelle vague: inspired by a William Faulkner quote the films has a jazz like atmosphere.