A stroboscopic experience made out of military archival images.
Archives: Filmes
An eccentric British woman picks up a young apprentice hairdresser on a wild night in Paris, in Une rose entre nous.
Tecla Tónica is a journey into the history of the electro pop in Portuguese music tradition, starting in the sixties and ending today. Notable musicians talk about that evolution.
Terrestrial articulates the aerial and the subterranean.
In Un souvenir de soleil a boy looks for a girl in between paintings, she tells him about the light.
A German Youth is a film about the present through the birth of the Baader-Meinhof and its origins, in the generation of West Berlin film students.)
A lonesome fox hunts a mouse and their relationship will evolve as two owls interfere with the hunt.
A funeral has never been so touching as in Thunder Road.
Young Le inhabits the underground and earns a living gathering furniture rejected by the city. Due to a work accident, he will meet the stripper Xiao Yun, another pursuer of the “chinese dream”.
Vincent Macaigne is the driving force of a transatlantic love, shot in the streets of New York City, that refuses to die.
In 2197 humans travel in space and colonize other planets. In one of these trips they encounter an arachnid shaped alien species that aims to extinguish humanity. Paul Verhoeven’s take on an excessive militarist vision of the world.
In a reference to Fellini’s 8 ½, Verhoeven consider this as his 14 ½ film. Writing only half the story, this is the result of an experience that gathered multiple ideas from various participants in a Dutch film-project competition.
A gun and a feeling of despair is all it takes for Sonia to fight this “monster”. This creature is modern bureaucracy and corruption in the form of an insurance company that denies medical care for the dying man she loves.
History recollected backwards.
The Send-Off: at prom all dreams of luxury seem to come true.
Atmospheric horror descent of a 1620’s New England puritan family into religious hysteria and witchcraft. Egger’s first feature film, with its exquisite sense of historical detail, have him best director prize at Sundance.
Paul Verhoeven’s second feature is still today the most successful film in Dutch cinema history. Told in flashback and shot with a hand-held camera, it follows the romance between a womanizer sculptor (Rutger Hauer) and a beautiful young girl.
Three dirt-bike motorcycle amateur racers try to impress the world champion Gerrit Witkamp. At the same time they fall in love with the same woman, a hotdog seller. A film that anticipated some of the later critics to Showgirls.