The end of demonizing black people in the USA.
Archives: Filmes
Pre-Inaugural Film-Concert for Os Dias da Música at CCB
April 21 (Wednesday), at 21h30, in Cinema São Jorge, Mário Marques (saxophonist) and Daniel Bernardes (pianist) present a multidisciplinary film-concert that pays tribute to the work of Michel Giacometti invoking his ethnomusical recordings made in Portugal, and that serves as a pre-opening of Os Dias da Música in CCB. Created by the musicians Mário Marques and Daniel Bernardes, and edited and visually conceptualized by Gonçalo Tarquínio. The concept of the show consists on an interaction of these musicians with the sounds and singings recorded by Giacometti, while developing the melodic themes and rhythms present in those recordings.
Doping in sports is the subject of Velodrool.
A people and its borders.
In this part romantic drama part dark thriller, Vincent Macaigne is a passé musician that decides to come to Tonnerre, in Burgundy, to spend some time with his father. There he meets Mélodie and love seems to be in the air.
«[…] craving for narrative» is an hypnotic 23 second loop of Grease (1978).
A violent ritual in Japan is depicted in Uzu.
After 15 years in USA, Paul Verhoeven returns to his Netherlands to direct a film about Dutch Resistance during WW II. Rachel, a Jewish woman, after being rescued by a Resistance group is asked to become a spy and seduce an SS official.
1000 Eyes of Dr. Maddin dwells into the recent work of Guy Maddin. In his bizarre interactive project Seances restless spirits of lost films are summoned in several séances starring some major international actors.
Jonas gives up everything for a dream.
A hinge creaks.
Don Hertzfeldt pictures a future of clones, time travel and passions in World of Tomorrow.
The mountains dance in Tindaya.
The fake smile of a worker and the bloody nose of a protester.
Unhappy Happy: rhythm, color, music, shapes, animation.
A king is in a hurry.
An unexpected pregnancy disrupts the daily life of two women in Une sur trois.
Toré films a ritual in Amazonia knowing the limits of a foreign eye.