And So We Put Goldfish in The Pool is a nihilistic pop fairytale.
And So We Put Goldfish in The Pool is a nihilistic pop fairytale.
In Colombi, a couple spends together a century, while trends, objects and films decline.
Atelier d’expression is a silent ode to the human body and its movement.
Pierrot, a mechanic in Paris, falls madly for an older woman, a chemist, who at first refuses his love. Finally she accepts him when she discovers she is affected by a deadly illness.
Wacky relatives give way to mounting tension, in Batfish Soup.
The city is unaware of stillness; it changes, perishes, emerges anew, always in a state of becoming.
The Yenish people have always found themselves in trouble in the European social fabric. Belinda is a documentary that portrays a Yenish girl at 9, 15 and 23, from the orphanage to her marriage.
Up to 50 percent of the world’s manganese, a vital metal across the globe, used to be mined in Chiatura, in Georgia. Today, it resembles an apocalyptic ghost town. City of the Sun portrays a few of the remaining inhabitants.
Benjamin Smoke is an unorthodox documentary that follows Benjamin (no last name), the drag-queen, speed-freak, all-around renegade, Smoke’s vocalist.
A Depressive Cop with burned facial skin, is doing an investigation on a Scottish island.
In the second episode of the Streetscapes series we visit 22 buildings by Samuel Bickels, in Israel, the cultural center Casa do Povo in São Paulo, and the Vio Nova community through Meir Axelrod’s paintings.
A real school shooting in Deklab Elementary.
The history of humanity and of our planet in four minutes.
Professor Baum is preoccupied with one of his patients, the criminal genius Dr. Mabuse. When his notes are found to be connected with recent crimes, the commissioner must determine how does he communicate with the criminals.
A sad inauguration day, at Washington, for president Donald Trump, in Birth of a Nation.
A Summer house and its ghosts: De Madrugada.
For young Ama and Aissita the road starts here, in the village of Boli Bana. Through their eyes the story of a nomadic, mystical and everyday world emerges. A Fulani childhood in Burkina Faso.
A portrait of Luce Vigo, film critic and the daughter of French filmmaker Jean Vigo.