When her friends challenge her, Iara accepts the provocation, but finds herself in a more uncomfortable position than she anticipated.
Archives: Filmes
A documentary that covers the work of Soviet film crews in Africa, from 1960 to 1990, identifying and undermining their perspective, or their bluff, when it comes to the recurring themes and motifs of propaganda associated with this continent.
The second part of a portrait of the director as a young woman, built from autobiographical and metatextual brushstrokes, such as the inclusion of the family duo Honor Swinton Byrne and Tilda Swinton. After a tragic occurrence, Julie (Swinton Byrne) rechannels her heartbreak into her art, which has also been transformed into a personal fantasy as a graduation film. And as everything progresses, she grows.
Milk pouring into open eyes, details of stones and roof tiles, or even dogs being petted. Francisco Queimadela and Mariana Caló invent an idiosyncratic yet hypnotic world.
Michael Brynntrup’s first internet-related film is a one-minute ode to rhythm in the age of reproducibility. Would Walter Benjamin approve?
The strange sexualization of a singing dog in a children’s film, in a film investigation set to a song by Colette Renard.
The body of a woman dancing, machinery at work and the sensuality of the increasingly abstract shapes on the screen.
In a reference to Kenneth Anger’s Fireworks, an erotic movement is created between pre-existing and filmed images, with an amorous language, a dialectic of nakedness, heavy breathing and surrender of the body.
Images from Jean Genet’s Un Chant d’Amour are interspersed with images of sexual scenes between men, raising questions about subversion and taboos.
Filmed on a mobile phone, an application tries to translate signs from French to English and is mercilessly confused.
The director does what she wants with her vagina in Solitary Acts #4.
A deep zoom shot that plays with the definitions of sexe (sex or sexual organ) and thym (thyme), which rhymes with the English word time, creating a game with words and images.
In the slot machine of capitalism, it’s not things but consumption itself that is our god.
A woman and her double in a caressing game.
Sara Cwynar is a multifaceted contemporary artist and Glass Life is a journey through her image archive that becomes a commentary on consumption and our visual culture, in a frenzy of artworks, food photographs and emojis.
An installation with different facets: two friends in a masturbation exercise in which they both lose and the collection of images that could explain their apparent impotence.
In the mirror, a man reveals himself, without the aesthetic armor (contact lenses, dentures) of everyday life in public.
With the potential to strike fear into the hearts of the toughest, this experimental film creates a collage of horror films to tell a story where “suspense” and “shock” are the keywords.