A cow is listening to the rádio show Agricultural Report which is discussing a new strain of a disease that could be dangerous to livestock herds. The cow gets progressively more agitated as the symptoms and effects of the disease are described. She unexpectedly finds a solution to her worries.
The look of Mariana covers the patio of high walls. Joana is back there. The expectation of a friendship. Everything to learn. Everything is very fast. The drawing of Joana. Tumbling of a bottle of red ink. The image of Mariana in the mirror. The guilt confuses her: who made to overthrow the bottle? Was it her?
After living in Buenos Aires for a number of years, 25-year-old Ana returns to her small Argentinen hometown of Paraná. She is looking for her past but, once she arrives, she finds out that not much is left of it: only a few old friends and some insignificant images. One hot summer day, she walks down the streets and along the river, looking for spots that were once so familiar. She feels both at home and an outsider. In the local newspaper, she sees a photo taken by her ex-boyfriend Mariano. She asks all the old friends and classmates she meets about him. She finds out that Mariano lives in Victoria, a small town nearby. Ana decides to rent a car and embark on a new journey. An intimate portrait of a young woman looking for memories, places and people from her childhood.
For the first time in her live, Annie meets a true coincidence. His name is Boo and he had never met a girl before.
An exotic documentary about seaside resorts and the foolish rituals practised by the tourists. Divided into four episodes, it is a curious and amusing insight about the summer vacation of the Argentinean. Four accounts that describe seaside resorts as majestic monuments of a lost civilization. These seaside resorts set up unconscious bodies swinging between two poles, full and empty, turning it into a succession of two kinds of images: one that irradiates the movements of its organs, another that reveals its skeleton. The two possible temporalities disable any capture of simultaneous wholes. From the crowd to solitude, seashore cities are placed on an oscillatory movement that varies between the urban and the popular spirit. As supreme leisure centres, seaside resorts allow this hilarious, ironic and satirical account.
Casim is a second generation Pakistani from Glasgow. Working as a DJ in Glasgow’s coolest venues, Casim dreams of buying his own club. His parents Tariq and Sadia are devout Muslims and plan for him to marry his beautiful cousin Jasmine, who is soon to arrive in the UK. His proud father spends all his spare time supervising the building of an extension to the family home where the couple are to live. Casim’s parents then arrange for his older sister Rukhsana to marry Amar, a promising young scientist from a good family. Plans go awry Casim meets Roisin. A teacher at his sister Tahara’s school, Roisin is different from any girl he’s ever met. She’s gorgeous, intelligent and definitely possesses a mind of her own. She and Casim soon fall deeply in love. But Casim knows all too well that, even if he wasn’t due to marry, his parents would never accept a goree – a white girl. As a Catholic, Roisin finds that her own community isn’t very supportive either. When their relationship is discovered, the repercussions of the scandal reach far and wide and sparks fly as cultures clash and personalities collide.
A daring proposition. Porno-animation with Barbie dolls. An elaborate swich of partners. An anti-male-chauvinist tale, where all types of unorthodox sexualities unite to isolate a patriarch who tries to impose domination and all sorts of sadism as the only law.
A little girl is born with wings instead of arms and with a beak where a mouth should be. But unlike a bird though, she cannot fly because she is, …
Bikini is an animated musical starring a young man who is afraid to come out… Who is afraid to como out of the locker. The plot takes place on a beach in 1960, where a couple of happy twins and their lady friend like to spend the summer.
A girl who wounded a ear visits a ear cleaning shop. She is seduced by the pleasure of having her inner ear cleaned. However, little by little, the pleasure makes her stronger. It is a love story.
Boy is an unsual story of a young male prostitute in a New Zealand village who struggles to expose the truth behind a fatal accident. The family of a responsible driver tries to keep the secret but the boy finally exposes the truth.
He’s a bus driver. Carrying passengers from the outskirts to the city. He lives with his wife and their little dau-ghter, in a poor neighbourhood out in the suburbs. The relationships between him and his family is shallow: they live together as if they were strangers. His work gets him constantly in touch with the fringes of society. He gets involved with a series of exotic characters, that belong to a universe of dissolute lifestyles. Amongst them, a drug dealer, a prostitut and a group of people related to pornographic films. With them he shoots a blue film. But in each of the excesses he indulges himself in, his family ties will be put to the test ‚ until the arrival of the final decision.
Three characters, three generations, hree ways of living filial relationship. Dorotea, a beautiful, young 17-year-old woman, lives with Eugenia, her grandmother who is 100 and has her moments of madness. Every morning Dorotea washes her and combs her hair before going to work in a laundry. But there is also Eduardo, a weak man who has just left prison and now lives at the Salvation Army. Above all he is Dorotea’s father. Three generations, three lives at a crossroads with a desperate desire to be together.
After weeks at see Captain Bligh detects na anemy ship at the horizon. Immediately he goes to attack. Everything couls be fine, if there wasn’t a small problem‚Ķ
There’s something exciting about seeing a pure affirmation of the grammar of the medium, if only because it appeals to the senses. Let’s honor this power of cinema once more.
The most stigmatized people in Calcutta’s red light district, are not the prostitutes, but their children. In the face of abject poverty, abuse, and despair, these kids have little possibility of escaping their mother’s fate or for creating another type of life. In Born into Brothels, directors Zana Briski and Ross Kauffman chronicle the amazing transformation of the children they come to know in the red light district. Briski, a professional photographer, gives them lessons and cameras, igniting latent sparks of artistic genius that reside in these children who live in the most sordid and seemingly hopeless world. The photographs taken by the children are not merely examples of remarkable observation and talent; they reflect something much larger, morally encouraging, and even politically volatile: art as an immensely liberating and empowering force. Devoid of sentimentality, Born into Brothels defies the typical tear-stained tourist snapshot of the global underbelly. Briski spends years with these kids and becomes part of their lives. Their photographs are prisms into their souls, rather than anthropological curiosities or primitive imagery, and a true testimony of the power of the indelible creative spirit.
A comedy disguised as a horror film. Professor Russell Morgan thinks he’s on to the scientific break-through of the century. He couldn’t be more right…or more wrong.
On a piece of lawn, between two buildings, a girl – Chyenne – seems to get lost in the letargic gray and cloudy afternoon. Suddenly she sneaks up to a raven and starts a game. Soon the bird joins her and actually the game becomes a quite odd duel. Who will be the winner?