The detours from the title are more like treasure-hunts to which Denis subjects his clients, who only want the stashes of drugs he’s hiding in the melancholic landscapes of Moscow. Everywhere is a place he could add to this game, although we lose sight of this naughty guide to visit other figures that populate the city. Between the anonymity of the Darknet and policing and oppression, this city contains multiple dimensions.
Detours
Ekaterina Selenkina
IndieLisboa 2022 • Silvestre
Russia, The Netherlands, Fiction, 2021, 73′