This section presents films that tear language and genre boundaries without taboos. Disconcerting films, controversial themes, and works that are best understood (and digested) under the sign of midnight.
FEATURE FILMS
- A Bay of Blood, Mario Bava | fic., Italy, 1971, 87’
- Kindred, Joe Marcantonio | fic., United Kingdom, 2020, 100’
- Mosquito State, Filip Jan Rymsza | fic., USA/Poland, 2020, 100’
- She Dies Tomorrow, Amy Seimetz | fic., USA, 2020, 86’
- Spree, Eugene Kotlyarenko | fic., USA, 2021, 93’
- Thirst, Steinþór Hróar Steinþórsson, Gaukur Úlfarsson | fic., Iceland, 2019, 90’
- 50 (or Two Whales Meet at the Beach), Jorge Cuchí | fic., Mexico, 2020, 122’
CURTAS-METRAGENS
- Bobby Pinwheel, Rob Kleinschmidt | Anim., USA, 2020, 4’
- Flex, Josefin Malmen, David Strindberg | Fic., Sweden, 2020, 4’
- Flick, Ariel Zengotita | Fic., USA, 2019, 10’
- MeTube3: August sings „Una furtiva lagrima“, Daniel Moshel | Fic., Austria, 2020, 10’
- Rendang of Death, Percolate Galactic | Anim., Indonesia, 2020, 7’
- A Stranger from the Past, Jan Verdijk | Fic., The Netherlands, 2020, 5’
- Survivers, Carlos Gómez-Trigo | Fic., Spain, 2020, 7’
- The Thing That Ate the Birds, Sophie Mair | Dan Gitsham, Fic., United Kingdom, 2021, 12’
- You’re Dead, Hélène, Michiel Blanchart | Fic., Belgium, 2020, 24’
- Wood Child and Hidden Forest Mother, Stephen Irwin | Anim., United Kingdom, 2020,10’