Sollers Point

Matthew Porterfield

IndieLisboa 2018 • Silvestre

United States,France, Ficção, 2017, 101′

Keith, a small-time drug dealer, is under house arrest. He re-enters a community scarred by unemployment, neglect and deeply entrenched segregation. There, he pushes back against his surrounding limitations as he tries to find a way out of his own internal prison.

The Fall of Lenin

‹

›

Films in the same section

+
1970
A protest told from the perspective of the oppressors. In 1970s Poland, rising prices caused workers to strike and street protests grew, creating unbearable tension. The viewer is, however, listening
+
Constant
A film about something as seemingly simple as the issue of measurement reveals something insidious about the existing systems. And a line is drawn between the standardization of how something
+
At Least I’ve Been Outside
The director is close to a nudist beach with his camera, looking for someone who wants to be filmed. The search is not easy.
+
Cucumbers
Simon is successful. Simon is a photographer. Simon has the life he wants. Until he starts seeing cucumbers everywhere.
+
Bird in the Peninsula
A hypnotic film that starts with a group of young men dancing, trying to follow the teacher's instructions. An initiation ritual forbidden to girls. Even if one is peeking.
+
Detours
The detours from the title are more like treasure-hunts to which Denis subjects his clients, who only want the stashes of drugs he’s hiding in the melancholic landscapes of Moscow. Everywhere
+
An Ambush in Suspense
The intriguing presentation of a series of objects — such as white plastic chairs — that are placed before the spectator before being destroyed in unusual ways, as with trees collapsing
+
By Flávio
Márcia would like to be an influencer on Instagram, but also to hang out with rapper Da Reel Chullz. However, there’s a tiny obstacle, her son Flávio.