Les amours imaginaires

Xavier Dolan

IndieLisboa 2011 • Cinema emergente, Sessão de Abertura

Canada, Fiction, 2010, 95′

The young Canadian Xavier Dolan returns after his impressive debut “I Killed my Mother” (IndieLisboa 2010). A popish looking love triangle between two best friends, Francis (the director himself) and Marie, that both fall madly in love with Nico, a curly

The Control Master

Cinema emergente

‹

›

Cinema emergente

Films in the same section

+
A Liar's Autobiography
Graham Chapman wrote and gave voice to his own autobiography in film, through a text taken from a book with the same name which he recorded shortly before his death,
+
A Herdade dos Defuntos
A junkyard in a desolate landscape, an obese woman dressed as a mechanic roasting a pig, a dying man under a scorching sun collapses and becomes her prisoner. In a
+
A Dupla Coincidência dos Desejos
A tile film, made of maritime motifs and variations on the similarities and differences between two men and their desires. There is a law in economics that says that there
+
A Onda Traz, O Vento Leva
A sensitive and fun film, where the most complicated issues are adressed with the mastery of simplicity. Rodrigo is deaf, but installs sound systems in cars. His t-shirt visually shows
+
Usalullaby
Usalullaby transports us to a dreamlike world where microscopic rabbits caress the body of a gigantic dolphin.
+
El loro y el cisne
A gentle comedy and a melancholic love story of a film-within-a-film refracted through a dry, deadpan humour. A film crew are making a documentary on contemporary dance theatre in Argentina,
+
Man Kann Nicht Alles Auf Einmal Tun, Aber Man Kann Alles Auf Einmal Lassen
Without knowing it, we attach significance to phantom stories that circulate around us; Man kann nicht alles auf einmal tun, aber man kann alles auf einmal lassen, is one of
+
Kurdrjavka ‚ Pikku Kippura
Kurdrjavka ‚ Pikku kippura is a piece compiled mainly of archive material, centring on the launch of Laika the dog into space in 1957.