The digital era spared the use of gloves in editing — but not a more delicate look when looking at the hours of images until finding the body of a film and, later, its spirit. Even more in the case of Manoel de Oliveira and editor Valérie Loiseleux (“Abraham’s Valley”, 1993; “The Convent”, 1995; “I’m Going Home”, 2001; “Magic Mirror”, 2005; “The Strange Case of Angélica”, 2010; “Gebo and the Shadow”, 2012).)
