A digital age motion study inspired by the chronophotographic work of Etiènne-Jules Marey. The signature scene from the Hollywood musical Singin’ in the Rain is split into seven layers. Each layer is moving at a different speed and is visible equally in superimposition. The result uncovers a new cinema, music and dance that are buried within the familiar iconic sequence.
Happy Again
Gregg Biermann
IndieLisboa 2007 • Director's Cut
United States of America, Experimental, 2006, 5′
